Charlotte Street Foundation identifies the needs and fuels the evolution of an ever-changing multidisciplinary arts ecosystem, acting as its primary provocateur. We cultivate the contemporary, the exceptional, and the unexpected in the practice of artists working in and engaging with the Kansas City Art Community

Dialogue in Color

(Photo/ Julie Denesha)

When seven Kansas City poets read new work this weekend, it’ll be inspired by colorful, layered collages — a pieced-together medium that holds deep meaning for one emerging area artist.

“I think about collage as a metaphor to describe black culture,” says Glyneisha Johnson, a recent graduate of the Kansas City Art Institute and Charlotte Street Foundation resident artist.

“Because of colonialism, black culture has been torn down and pieced back together, cut and pasted, changed with new generations,” Johnson says.

Whole worlds emerge from layered pieces of hand-painted paper in Glyneisha Johnson’s collage titled ‘Occupant.’

For “Dialogue in Color,” The Writer’s Place president, Anne Gatschet, asked Jessica AyalaJose FausSheri Purpose HallChell NavarroGlenn North and Jermaine Thompson to write poems in response to Johnson’s collages. Constructed from fragments of painted paper, the pieces inspired a range of responses from the poets.

Gatschet, who contributed a poem of her own, says she was struck by the quiet domestic scenes that Johnson creates.

“They get deeper and deeper as you look,” Gatschet says, “and they very respectfully portray intimate moments: The gestures, the way people’s bodies are leaning, and the way that a pillow is left on a couch.”

Johnson begins a new work on heavy paper in her Charlotte Street studio space.

Johnson’s pieces include objects synonymous with black culture. For this new exhibition, Johnson says she wanted to stay true to the common themes in her own work while allowing something new to spring from the ideas in each poem.

“Trying to think about how the poems and the visual work operate together was a struggle at first, but I’ve learned to let things happen more organically,” Johnson says.

The finished installation will be revealed on Saturday at a reception and artist’s talk. Each writer who has collaborated with Johnson will be on hand to read their poem.

The neatly appointed room Johnson’s ‘Untitled’ inspired Sheri ‘Purpose’ Hall to write her response poem ‘Turned Tables.’

Sheri “Purpose” Hall wrote a poem reacting to one of Johnson’s pieces depicting a room with furniture and sacks of groceries on a table. Hall says she was moved by the scene’s neatness and simplicity, and wanted to explore themes beneath its surface.

“It made me think about the way our people have traditionally had to hide our culture to keep it,” Hall says. “The average person would not see the history in this; however, for our people, the handed-down couch and art work on the walls is an important piece of the family and carries the respect of the ancestors.”

Johnson says she thinks about collage as a metaphor to describe black culture, which has been ‘torn down and pieced back together, cut and pasted, changed with new generations.’

The layers of meaning within the works were not lost on Gatschet.

“Even though they are talking about a long-term violence that has been done to a people over hundreds of years there is no violence in the works,” Gatschet says. “They are extremely hopeful. I just think that takes a tremendous capacity for a young woman to do that.”

Dialogue in Color, 6:30-9:30 p.m. Saturday, January 6 at The Writers Place, 3607 Pennsylvania Avenue, Kansas City, Missouri; 816-753-1090.


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This entry was posted on January 4, 2018 by in Uncategorized.

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